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art object

英 [ɑːt ˈɒbdʒɪkt]

美 [ɑːrt ˈɑːbdʒekt]

网络  艺术品; 艺术物品; 艺术对象; 艺术物; 一种艺术对象

经济

英英释义

noun

  • a work of art of some artistic value
    1. this store sells only objets d'art
    2. it is not known who created this piece
    Synonym:objet d'artpiece

双语例句

  • No matter the aim of art invention, object of art appreciation, or the identity of artwork, they will be all concluded to imagery.
    不管是艺术创造的目的,艺术欣赏的对象,还是艺术品自身的同一性,都会归结到意象上来。
  • Part 1 is to define the concept of art ( aesthetic object) through discussing the multi-valued function and convention of art.
    本文所有内容分为三个部分,第一部分主要通过艺术多元功能和艺术惯例的讨论进行艺术概念即艺术学研究对象的界定。
  • The gardeners combine factors according to the characteristics of natural landscape, with organic irregular appearance and natural layout to make artificial constructs be merged into natural environment and integrate a whole, living art object.
    造园家根据自然山水的特征来组合园林要素,以有机不规则形态和错综自然的布局来使人工与自然融为一体,组成有生命、浑然一体的园林艺术品。
  • The key point in his discussion of the aesthetic and objective character of Art, also being the basis of his aesthetic theory, is the independent and intrinsic value of art, and that a work of art as an aesthetic object is phenomenally objective.
    比厄斯利对艺术审美性和客观性的讨论的关键、也是他的美学体系的根基所在,就是对艺术的独立价值的强调,艺术作品作为审美体验中的感知对象是客观独立的存在。
  • From the very beginning, he distinguishes aesthetics from the theory of art, and determines the object of aesthetics is the aesthetic relation.
    蒋孔阳有一个较高的逻辑起点,一开始就将美学与艺术学做了区别,确认美学的对象是审美关系。
  • There has been the connection between Chinese calligraphy art with furniture in ancient times, this thesis regards Ming furniture and Chinese calligraphy art as the research object, excavate the original reason that Chinese calligraphy art influence on Ming furniture.
    中国书法艺术与家具的联系古已有之,本论文是以明式家具和中国书法艺术为研究对象,挖掘中国书法艺术对明式家具影响的背后成因。
  • The third chapter discusses the theory of art object as theoretical weapon for criticism of contemporary consumer and proposed vicious characteristic of art object in the consumer culture and simulacrum culture: kitsch, value differences, virtual, implosive.
    第三章论述鲍德里亚拿起作为物的艺术客体为理论武器,批判艺术客体在当代消费领域和拟像领域沾染上的恶性:媚俗性、价值差异性、虚拟性、内爆性。
  • Owing to the incorporation of fuzzy language, literary art can transcend aesthetic object as well as aesthetic subject; thereby enlarge the artistic space, and obtain aesthetic feeling.
    文学作品中模糊语言的使用可以使文学艺术穿越审美主体和审美客体,从而扩大艺术空间,获得审美情感。
  • Art is the object of feeling, and the subject of nature.
    艺术是情感的客观表现。
  • He first confined the differences between the work of art and the aesthetic object, the activity of aesthetic experience is to match with the aesthetic object, which was considered as the result of the preliminary emotion.
    英伽登首先确立了艺术作品与审美对象的不同,与审美对象对应的是审美经验活动,他认为审美经验是初始情感贯注的结果。